Although Peter Blauner (b. 1959) grew up on Manhattan’s East Side and attended the prestigious Collegiate School for Boys, he has always been drawn to the dark side of city life. “Being a kid during the fiscal-crisis seventies, I saw how things could change and you could go from the high to the low very quickly. Which is a very good lesson in humility and an even better one for writing crime fiction.”
Influenced equally by the films of Sidney Lumet and Martin Scorsese, the burgeoning punk rock scene, and the split-lip school of American pulp fiction, Blauner began writing short stories in high school and while still in college got a summer job assisting legendary newspaper columnist and author Pete Hamill. “He gave me a master class on what it means to be an urban writer. He taught me to always get your notes on paper right away, always ask the hardest question you can think of, and always listen carefully to the last thing somebody says to you.”
After graduating from Wesleyan University in Connecticut in 1982, Blauner returned to the city and began working at New York magazine, where he apprenticed with Nicholas Pileggi, author of Wise Guy and screenwriter of the film Goodfellas. Over the next few years, Blauner developed his byline for the magazine, writing about crime, politics, and other forms of antisocial behavior. But, he says, “My real goal was to train myself to become an urban novelist. I wanted to write stories that were suspenseful and compelling, but that also tried to capture what’s funny, surrealistic, and occasionally beautiful about city life.”
He decided on an approach of full-immersion research, which he has continued throughout his writing career. In 1988, he took a leave from the magazine and became a volunteer at the New York Department of Probation, so he could write about the criminal culture of the era from the front lines. The result was his debut novel, Slow Motion Riot, which was published in 1991. It went on to win the Edgar Allan Poe Award for best first novel and was named one of the “International Books of the Year” in the Times Literary Supplement by Patricia Highsmith, who called it “unforgettable.”
Soon after, Blauner turned his attention to fiction writing fulltime, and his next novel, Casino Moon, was a kind of update of the classic noir pulp genre, set in the Atlantic City boxing world and published in 1994. After his time in Atlantic City researching Casino Moon, he returned to New York and spent a year working at a homeless shelter to research The Intruder, which was published in 1996 and became a New York Times bestseller. For his next novel, Man of the Hour, published in 1999, he anticipated the reality of 9/11 by writing about misguided notions of heroism and Middle Eastern terrorism in America. Four years later, he shifted gears and wrote The Last Good Day, about a murder in a quiet Hudson River town and the resulting social fissures among the people who live there.
Blauner’s most recent novel, Slipping into Darkness (2006), found him back on the city streets creating a modern urban mystery. It tells the story of Julian Vega, a bright young immigrant’s son, locked up in the early eighties for killing a female doctor on New York’s Upper East Side. Twenty years later, Julian is released from prison and another female doctor is killed under strikingly similar circumstances. Only this time, the evidence doesn’t point to Julian at all—it points to the woman he allegedly murdered two decades before. And the detective who arrested him in the first place, Francis X. Loughlin, is left to wrestle with the possibility that he ruined the life of an innocent man. The book earned the strongest reviews of Blauner’s career, with everyone from Stephen King to the New York Times ringing in, and introduced him to a new audience.
More recently, Blauner has branched out into television work, writing scripts for the Law & Order franchise, and also into short fiction. His short stories have been anthologized in the Best American Mystery collection and on NPR’s Selected Shorts from Symphony Space. He continues to live in Brooklyn.